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My Newest Favorite 2D Guy

If you have been reading or exploring this blog you will know that two cartoon characters I really like are Samurai Jack and Afro Samurai. Both are sexy, tough, and don’t take anything off of anybody.

I have a third one. He is also sexy and is intent on getting what he wants. Unlike the afore mentioned, he is a villain which makes him even more interesting. His name is Dr. Facilier. (Pronounced fas-ill-ee-aye)

This Cajun is long and lean. He’s not too old and not too young. He keeps his thick head of hair quaffed but still keeps his natural curl. He’s a snappy dresser who takes care of himself and from the way he moves through the landscape I imagine he likes to cut a mean rug with the ladies on Saturday night. I’m not even going to talk about the voice they chose for him. Keith David, who also was the cat in Coraline, was perfect.

For some reason he reminds me of one of my late uncles: although there is no similarity between them except for the gap and the big grin. Maybe it’s the attitude. Hmmm.

At first sight he seemed to share a lot of characteristics with Jafar from Walt Disney’s Aladdin. But I feel Facilier is smoother, and more cultured. He is more at ease with himself. I can’t picture Jafar wooing the ladies or heading out to the club.

From looking around the internet I find that Dr. Facilier has lots of other fans also. He is one smooth guy.

As an afterthought I am going to give an honorable mention to another Disney villain I like. That would be Shan Yu the Hun from Mulan. I have always liked the villains. I had a crush on Silus Barnaby from the Laurel and Hardy movie Babes in Toyland (March of the Wooden Solders). Perhaps I should make a top 10 list.

I still hate Facebook

As much as I dislike the insipid chatter that goes on in social networks like Facebook, to my dismay I find that I still have to go there.

Why? Because more and more organizations, rather than update their own sites are posting little banners that say “Follow us on bla bla bla. In order to find out what they are up to I must go to bla bla bla to stay up to date. I go there because many of the friends I used to email are now in this eternal (or should I say infernal) chatroom and no longer answer from their old email addresses.

Let me tell you that I have always hated chat rooms. I hate them as much as standing around at parties trying to think of something to say. I have hated them since the BBS (bulletin board service) and newsgroup days.

Whenever I log on to FB I am bombarded with announcements that Sally has found a lost virtual kitten and wants me to adopt it. Charlene is in love with the last winner of America’s Got Talent. Jane wants the world to give her ideas of what to have for breakfast, and Tom is sitting around doing nothing and wants the world to know it.

Has the world gone crazy, or is it just crushingly bored? Or is it super egotistical? Whatever is happening, I have no time for such nonsense.

For me, any professional organization that says, “Follow us on…” may as well be wearing a hat that looks like a wedge of cheese. Yet, when I see that little banner I know I have to, or be left out in the cold.

I do not consider myself a Luddite. My first computer ran on DOS, had a grayscale monitor and didn’t have a mouse. It ran on real floppy disks. I was installing components long before the “plug and play” era. I have been online since the dial up AOL days. I am, in fact, an online junkie. But FB is where I draw the line.

I suppose there are a few good things about FB. It’s like one stop shopping. I can go there and check all the updates of the organizations I am interested in rather than bouncing from site to site. Another advantage is…. . um…. I can’t think of anything else.

I have briefly thought about putting a “follow me” banner to draw people to my websites, The Golden Child, The Real Goldie Locks, Zebracorn Graphics and Art Wanted. But that would be one more site I would have to manage. No thank you.

Give me SocialGo or ning any day.

Art and Fear

I am reading a book called Art and Fear by David Bayles and Ted Orland

I came across this passage that resonated with me so much that I felt compelled to read it at one of my groups and re-post it here.

“The ceramics teacher announced on opening day that he was dividing the class into two groups. All those on the left side of the studio, he said, would be graded solely on the quantity of work they produced, all those on the right solely on its quality. His procedure was simple: on the final day of class he would bring in his bathroom scales and weigh the work of the “quantity” group: fifty pounds of pots rated an “A”, forty pounds a “B”, and so on. Those being graded on “quality”, however, needed to produce only one pot albeit a perfect one to get an “A”. Well, came grading time and a curious fact emerged: the works of highest quality were all produced by the group being graded for quantity. It seems that while the “quantity” group was busily churning out piles of work and learning from their mistakes the “quality” group had sat theorizing about perfection, and in the end had little more to show for their efforts than grandiose theories and a pile of dead clay.”

This is exactly the wall I have been butting my head against. I know that as soon as I finish a work I realize I could have done it differently. It could have been done in a different style or with different colors. I could have paid more attention to detail or not been so hung up on detail. It causes some of us artists and writers to stare at blank paper for long periods of time. We get blocked by our own fear; a fear that translates into a desire to get it perfect the first time.

I just finished several pieces of work and got an idea of how to make them better. But if I hadn’t done them I would not have had the resource to know how to improve them. It’s not wasted effort. Wasted effort is doing what the ceramics students did in the above quote: sat around staring at their medium, afraid to touch it.

Don’t be afraid to dive in and get dirty. The more “failures” you create the better your future work will be. Go ahead and finish that piece of work that has you frozen. The time you spend staring at it is time you could be using doing it.

mean people and good dogs


I am still working on my Mean People Suck set of illustrations. This one is titled, “Mean People love it when you are their Good Dog”.

After observing behavior in others and recalling a few bad memories I came up with the phrase. I thought about the concept of what that means. What is a “good dog?” It is a gentle needy type who is compliant and doesn’t want to lose the mean person’s “friendship”. They don’t know how to set boundaries and really don’t have the ability to tell the mean person to fu@@ off.

For each of these illustrations I am working out a description to go on the back of the card, if they turn out to be cards.

I started out with the usual evil person interacting with his or her victim. I thought about the victim as a puppet with the abuser pulling the strings. That made me think about Punch and Judy type puppets. They evolved into the characters you see here with cat and dog archetypes.

I am still working out the style and the overall look of the whole set. This one is colored pencil done in very simple coloring book style.

I am also contemplating whether I want to offer these illustrations one at a time direct to the public or put together a bunch of them and present them to a publisher. I am leaning toward the first option. Publishers have too much power.